Studio C - Mallory Everton and Matt Meese Interview - Episode - The Good Word Podcast
Studio C – Mallory Everton and Matt Meese Interview – Episode Studio C is a sketch comedy television show produced by BYUtv. The show traces its roots. Matt Meese. likes · 15 talking about this. Writer/Actor for JK! Studios. Likes peanut butter. had one of their videos featured by “Unilad,” an online magazine. for their “ favorite couple,” Matt Meese and Mallory Everton, who are not.
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Pokimane thicc — episode 2. Matthew meese but the original cast members jason expresses his feelings about. He is a renowned. Mallory everton is dating! The show format was kinda born out of necessity. We had a limited amount of space and resources, so we created a set that allows us to have very different looks and the option to change those looks within a matter of minutes.
We've also done more work with our off-set sketches this season. We'll still make fine-tuning adjustments as we go, of course, but we're getting into a nice rhythm. What was the process like in pitching it to BYUtv and what eventually made them agree to produce the show? I felt like this idea sold itself, so the best thing we could do was just get out of its way.
I gave our now-producer, Jared, a couple of tickets to a DC show, and then met with him a week or so later.
We already had a respectable fan base with DC, and it was nice to be able to show YouTube numbers and fan emails. My reasoning was, "If it works here, there's no reason to think it wouldn't work with a wider audience.
We decided right up front that we wouldn't be a Mormon comedy show, with jokes specific only to our religion and culture. We wanted anyone and everyone to be able to watch and enjoy it. The whole process took about a year or so before we got anything in front of a camera. Prior to filming, you had to compile a cast beyond the four of you.
How did you end up picking the cast and who are you currently working with? We actually chose people we'd all worked with before. They've all been in Divine Comedy at one point or another, so we can trust them because we know how to work with them and there aren't any nasty surprises as can sometimes happen in a creative setting when we're all vulnerable.
And then Natalie and Jeremy, two old favorites who were still in town, and brought them in as featured cast. We knew what working with them was like already, so it made the decision really easy. That's not to say that we won't work with others as well, but these people have already proven to be funny, contributing cast members that are great to work with.
And they were each chosen because they each bring something different, so we have a nice variety of comedic styles and sensibilities that still mesh well together. How was it for all of you making that first season and essentially building a show from scratch? Like I said, we learned pretty quickly that we couldn't attack this the same way we would a DC production, so we found a lot of things out by trial and error.
Season 1 was a huge, huge learning experience, and I think Season 2 is evidence that at least some of what we learned stuck with us. I would compare the process to vomiting treasure. Really difficult, but very rewarding. We're all learning a lot. This is our first time doing TV, and this is BYUtv's first time doing comedy, so we're just blazing trail together. Sometimes the process can be grueling, but I've been really encouraged by the progress we've been making as a whole.
I'm really proud of our team. It was stressful, wonderful, terrifying and beautiful. It was a process. We're still figuring out how best to write for TV instead of live performances. We can play with more mediums and we have to actually step up our game, because when you're expected to write two sketches every week and you have a kind, but honest producer who tells you your writing's not funny right now, you have to come back next week with something better.
It's turned sketch-writing into a full-time job. Luckily, it's a job I still love. What's the process like for you when creating a sketch, from idea to final product? I often just pick something that I want to do. It varies for every sketch. Some ideas write themselves; the minute you have the idea, you know how the whole thing will play out.
Other sketches require careful planning, like song sketches, dance sketches or anything that requires more than joke-writing. Sometimes I'll let an idea marinate for months before I put pen to paper, and other times I need to write the sketch as soon as I have the idea. It really is different every time. After the writing, it's all about collaborating with the other actors and our director Craig Camp to make the sketch as funny as possible. Well, hopefully, as soon as I have an idea, I write it down.
Then I usually let it stew for a few days before writing it out. We all talk about our sketches and then bring a more finished version to our official pitch meetings with Jared, our producer. And if it's received well, it might get some tweaks fixed, but it's quickly shipped to the art department so that costumes, set and makeup can start planning how to make it come to life.
The ideas come from pretty much anywhere at anytime, so we've gotten used to just having our sketch-radar on all the time. After writing it up sometimes alone, sometimes with otherswe'll present our sketches to each other and our producer, director and production manager, for feedback.
From there, we decide if it needs any changes, and then discuss what the vision is.
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It then goes to several meetings with various departments lighting, hair and makeup, wardrobe, set design, props, camera ops, the House Budgetary Committee, etc.
Then we rehearse them for about a week, do a tech run with all our props and wardrobe, and then we film it the next day in front of a live audience. Then on Monday, we start over. If we're still alive, that is. How much do you scrap before going to record and then how much is edited out before what you have on TV is finalized?
We probably scrap about 25 to 35 percent of what we write. Maybe a little more than that, but somewhere around there. And just about everything we film is kept the way it is.
It's rare for us to edit something out. Oh, we only use one sketch for every 10 I write, probably. And I only submit one sketch for every three to five that I write. You just have some ideas that aren't good enough yet, and you have to be patient and put them on the back burner while you're coming up with better material. That's a great question.Studio C’s Matt Meese & Stacey Harkey On Making Clean Comedy - CONAN on TBS
I don't have all the numbers exactly, but I'd guess about a third of the sketches we write, we never end up using. And then once the sketch is filmed, it's very rare that anything would ever be edited in or out. We try to give our live audience the exact experience the TV audience will get. About 60 percent of what I write never sees air. And about half of what does get on the show is edited a lot so it is a lot of hard work. I know you've been asked a lot of questions about the content and how you produce a clean show and still make it funny.
What's your take on having a clean show in a society where most sketch comedy deals with risque themes and a lot of bashing? For me, this is the only kind of material I'm interested in writing. This might be just me, but once I realized how great it is to put on a show that makes everyone feel happy, included and totally unashamed of what they've just seen, I don't think I could ever work any other way.
The thing is, everybody likes good clean comedy. It's the broadest possible audience for comedy, so of course we want to capture that audience. Certain shows have been getting very good at shock-value humor, but it's raunchy and crass and their audiences are downsizing. In addition to this, you don't feel bad when you laugh at clean comedy. We try to write sketches that are not only clean, but inclusive, too.
We don't want anyone to feel alienated, but celebratory. Comedy is a celebration. There's something great about shows that the family can enjoy together. It gives them a shared experience that they can reference for a long time. My family and I still quote from The Cosby Show, which we watched all the time, and it's neat to think that other families are doing the same thing now with Studio C.
The first season went over well and you were brought back for a second earlier this month. What was the general reaction from viewers and the BYU staff, and when did you know you'd be back?
Everyone seems to be really excited. We learned a lot from Season 1, and everyone is committed to upping the quality and hilarity of Season 2.
Our expectations were much higher, but I think my friend said it best: Season 2, you guys are just good, period. Rioting in the streets.
When that died down though, it was very encouraging. Everyone at the station was excited to see something like this on the channel, and our growing fan base was not shy about asking for more. We didn't officially know we'd be back until a few months after Season 1 aired.
That said, we started writing Season 2 the day after Season 1 wrapped. We were pretty sure we'd be back, so we wanted to be ready. We actually knew back in November. We had to start writing enough sketches to film and air by April, so we needed the time.
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But the feedback has truly been awesome. We have families writing us letter and drawing pictures about their ideas for future sketches. I got to meet Nie-Nie at our last taping in March!
That was a surreal moment! You know, I try not to worry too much about reception either way as much as I can, of coursebecause it tends to distract me from performing as well as I'd like. Too much negative hurts your confidence, and too much positive bloats your ego, so I try to just focus on doing the best I can. From what I gathered, the first season did very well, particularly for a budding station like BYUtv, so we knew pretty early on once the season was airing that the work we were already doing for a second season wouldn't be a waste of time How has this season treated you so far, and how much do you have left to film for the year?
I'm even more excited for this season than I was for the first. We've finished all of our studio filming, but we still have off-set shoots to complete in the next few weeks. I love the sketches we've come up with this season. I feel like they're fresher and more suited to television than the first season.
It's really starting to come into its own. The second season has been so fun. I've got to hand it to Jared Shores for constantly looking for ways to improve every part of the process, Diane Mayne for honestly working every hour of the day, and Craig Camp for being the most well-fitting director I possibly could've imagined for us. The actual material is pretty important after all.
We only have a few more off-sets to film, and then we're officially done with Season 2. It's been a fantastic season. I would say without hesitation that if you liked Season 1, you'll love Season 2. We are about 90 percent percent done. We are shooting our off-set sketches, which are a blast. What kind of impact do you hope the show will have, not just on the network, but on the local comedy scene? Well, it would be great if it inspired more clean comedy, cause everyone needs to laugh, and it's more fun if we can all laugh together.
A lot of BYUtv programming is focused on appealing to a wider audience than in years past, so my hope is that Studio C is right at the forefront of that effort. Hopefully it will bring Provo and the station a little r. We know we are not perfect, and we are hungry to improve as performers and writers. I hope it will let people know that clean comedy always wins. I've seen a lot more clever shows coming out lately, and I love it.
- Thursday, April 18, 2013
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- Mormon Authors and Mormon Writers are interviewed about their lives and their titles.
I hope it keeps happening, especially with social media being such a big determiner of what's popular.